Wow! It has been a WHILE since I have blogged. But this is a good thing; I made a resolution to write more in my WIP and write less on my blog/twitter. I think my [limited baby's nap] time has been more productive as a result.
But I thought I'd share with you this new thing I'm trying. I call it "Pantsing on a Leash."
What I've Done in the Past
I've always loved being a "discovery writer" and finding the story and character as I write. I usually picture a character and situation I find interesting and go from there. As I write, I figure out things like:
What brought my character to this point in time, this place, and this situation?
What is her underlying hope, the one seated deep beneath whatever is happening on the surface?
What life change is just waiting to happen to her?
As you can tell, I tend to focus on the character more than the plot. I write and rewrite the first three chapters until I get something I like. In the past, I've then tried to continue the same approach for the rest of the novel.
Problems with Pantsing the Entire Novel
1. I always, always reach a point at around 10-20K where I start to lose interest, and it is REALLY hard to keep going.
2. When I force myself to continue, most of it is fairly unusable and I end up rewriting completely in the second draft.
Presenting...Pantsing on a Leash
I don't know if it will turn out the way I think but this is what I'm trying. *Horn intro sounds*
Stage 1: Pantsing/Prewriting stage. I write my usual 15K, revise, have alpha readers take a look, revise again, to my heart's content. But I limit this stage to 15K, until I feel confident I have a story and character I understand and am excited to write an entire novel about.
Stage 2: Outlining/Brainstorming. To keep in the pantsing tradition, the outline is very brief, only 1-2 pages. The important thing here is to figure out the key plot points. There are a lot of different ways to enumerate the plot points, but I like Dan Wells' approach to this.
If you're like me, you think an outline will bleed your creativity dry. But you also have trouble writing focused plots. I think by pantsing the beginning to your heart's content, you probably know enough about your character to take a stab at figuring out the plot points that will work best for her (and you can always change them).
My goal is to be able to write a first draft that is more focused, but to keep my creativity going by not outlining too deeply.
Stage 3: Draft the Good Parts: Next, I'll skip to the part I am most interested to write in the outline, and go from there. This is important because I think the section from 15K to the midpoint tends to be a lot of set up and I get very bored writing it. Since I have both the outline and a beginning, I have a good idea of what has happened thus far.
Stage 4: Complete the Draft: Finally, I'll revise the beginning as needed and then write up to the part in Stage 3. I think the reason we often slump at 15-20K is not because we don't know what will happen in the end, but just because it seems like a huge hill to get there. By writing the end first, we've given ourselves motivation. The beauty of this is that we'll often find that we didn't need as much setup as we thought. I can avoid a saggy middle by hitting plot points faster, and thus improve my pacing. Yay!
Does it work?
Nobody ever said writing a novel is easy.
The hope here is to find the sweet spot that hits the creative side of discovering the story while still writing a usable draft. If I end up with a draft that I can revise rather than have to rewrite, I'll consider this a success.
I'll let you all know how it goes. In the meantime, any other pantsers are given free license to try out my non-patented method.